Category Archives: Reviews

Reviews of books, movies, music, and maybe even games.

John Wick: Chapter 2

JohnWick2If you enjoyed John Wick, which starred Keanu Reeves as a hitman whose retirement is interrupted, you’ll enjoy John Wick: Chapter 2, which stars Keanu Reeves as a hitman whose sabbatical from retirement is extended by more non-retirement.

Dog lovers might appreciate knowing that the death of a dog is not Wick’s impetus in this film¹. Car lovers² will appreciate John Leguizamo’s estimate about how soon Wick’s car can be fixed. People who love witty dialog in the style of superhero banter should probably just re-watch one of the Avengers films, or at least not show up for this film with high hopes for any of that.

I enjoyed John Wick 2, but it does not clear my Threshold of Awesome. The fight scenes are every bit as amazing as they were in the first movie, but the story is on rails. There are no plot twists, unless you count employer treachery as a twist, which is about as unexpected as a meet-cute³ in a romantic comedy.

So, you know… enjoy the fight scenes, and pretend that the world will be a better place without any of these nameless thugs, who probably eat babies with a garnish of puppy.


¹ I was asked very specifically about dogs by someone on Twitter.
² I was not asked about cars. 
³ If you re-watch THE MATRIX before seeing this film, pay attention to the meeting between Reeves’ character and Lawrence Fishburne’s character. I think they re-used some dialog on purpose, just to see if they could.

 

 

The HUNTED Camera Loves Myke

I don’t watch much TV. We don’t have cable. If a program gets good reviews from my friends, I’ll pick it up on Amazon Prime, or I’ll wait until it hits Netflix. Sometimes I’ll buy DVDs and Blu-Rays.

MykeCole-HuntedMy friend Myke Cole, whose books I’ve plugged in blog posts of yore¹, is featured in a reality TV program from CBS called “Hunted.” (Episode 1 is currently free to stream from CBS.²) Reality TV is pretty much my least favorite form of TV, but Myke is awesome so a gave it a shot.

No regrets. None.

A team of investigators, of which Myke is a part, break out all the tools of their trades to track down nine two-person teams of runners, who are playing the part of fugitives, with a $250k prize awaiting them if they can stay hidden for 28 days. We follow some of these teams each week, and each episode thus far has had at least one capture in it.

I have no idea what the actual mechanics are behind this game, but the tools and skills on display are the real deal. It’s a lot of fun to watch, and it’s entertaining to wonder how long you’d make it before Myke tracks your “untraceable” burner phone from a convenience store receipt and a traffic camera. (Answer: I can remain hidden for at least three meals if you give me a 1-hour head start. That’s probably it.)

Here’s the thing: The camera loves Myke. Several times during the first two episodes I noticed that shots were framed to include Myke in the background for no other reason than to make the shot look better. The costuming department is dressing him in t-shirts made of little more than paint and hard living, and I am forced to concede that not only is my friend Myke a fine human person and an outstanding writer, he looks really, really good on TV³.


 

¹ Here, here, and here. No yore was harmed in the reposting of these links.

² We’ve subscribed to the show via Amazon Prime, which is my least favorite part of this whole thing. Their digital delivery of HD is full of MPG artifacts that I never see from NetFlix. I’ll take MPG artifacts over commercials, but it stings to do that after spending actual real money on HD.

³That paragraph won’t embarrass Myke. His already-thick skin has been hardened under regular abrasion provided by his friend and mine, Sam Sykes, on Twitter. The Sam and Myke show (as I like to call it) is worth following: @MykeCole and @SamSykesSwears.

XXX: The Return of Xander Cage

XXX3ReturnofXanderCageXXX: The Return of Xander Cage took some time to get moving, and the first half had enough skin in it to have nearby Bond films politely requesting that Mr. Diesel not track sand through their garden. Somewhere around the mid-point the movie engaged for me. I think it may have been when I realized that they were going to attempt an ensemble piece, and that they might just pull it off.

And they did! By the end it really was an ensemble piece, giving plenty of camera time to Donnie Yen, Deepika Padukone, and Ruby Rose¹. It also repented nicely for the Ice Cube installment of the Triple X franchise with some of the smoothest ret-conning² I’ve seen in a while.

The second half of the film saved the movie from the first half, but it made me sit up and ask why they bothered with the first half, and imagining the ways they could have done Act I more entertainingly. That right there is what’s keeping XXX: The Return of Xander Cage from clearing my Threshold of Awesome. And that makes me sad, because the Deepika Padukone/Ruby Rose scenes¹ in Act III deserve to be above the threshold.


 

¹ I would watch an entire season of TV built around Padukone and Rose being gunslingers, perhaps headlining a full ensemble of ladybro³ wit, wile, and badassery.

² So smooth it might not even be considered a retcon, really. Spy movies can do this well by giving us the “you don’t have the whole story” moments, and it’s not even cheating when they do it right.

³ “Ladybro” is a term I first heard from editor Navah Wolfe, and I might not be using it correctly. I think it means “all X-chromosome buddy-cop-style relationships.” If it doesn’t mean that, then I need a different word that does.

Lemony Netflix’s A Series of Unfortunate Events

UnfortunateEventsOrdinarily I don’t review television programs, but there have been enough exceptions that I’m not breaking a rule at this point, you’re just experiencing another edge case.

Netflix’s A Series of Unfortunate Events is proving to be delightful. I’ve watched the first four episodes, and I’m hooked. The series has two of my favorite things in it: clever writing, and Patrick Warburton. Imagine Kronk, or perhaps The Tick narrating in the bleak tones of Lemony Snicket, and warning you at the beginning of each episode that you really don’t want to continue.

It’s a bold move. When your story, as part of the story, is telling people not to keep reading, or watching, you’d better be doing it in a manner so entertaining that the audience hopes the warnings will continue.

In this case it is, and they do.

There’s much more than just dire warning working in favor of this series. Malina Weissman and Louis Hynes are awesome, Presley Smith would chew scenery if given the chance, and over-the-top melodramatic performances are turned in by Neil Patrick Harris, Joan Cusack, Aasif Mandvi, Usman Ally, Joyce and Jacqueline Robbins, and Cobie Smulders, and I’m only halfway through.

Were this series available on Blu-Ray or DVD I’d cheerfully pay season-of-TV-series rates for it. It’s not, but by that math the series totally paid for two months of Netflix just by existing.