Tag Archives: Movie Review

Big Hero 6

Big Hero 6 ended up being less than what I had hoped for thanks to the trailers.

BigHero6In order to explain why, I need to risk spoiling some things, which I do with great reluctance. Before I start, if you haven’t seen the trailers for Big Hero 6, stop reading this and go see the movie! It’s got lots of heart, and is beautiful, exciting, imaginative, and fun.

And the trailers are misleading.

SPOILER ALERT:

The trailers make it look like our inciting incident is the scene in which Hiro and Baymax (the boy and the balloon-bodied robot) are attacked by a man in a Kabuki mask who is operating an army of tiny robots.

Nope! Our inciting incident (the thing that sets the whole story in motion) occurs half an hour earlier, and most of the first act is a complete surprise for those who watched the trailers. Unfortunately, the direction of that first act is NOT a surprise, so I spent the first third of the film waiting for a moment that had been described in great detail in the trailer. “Come on, movie, get on with the story you promised me!”

I know, I know, it’s hardly fair to judge a movie by the trailers, but I’ve never claimed to be fair. I had less fun at the theater than I wanted to, and while the film easily clears my Threshold of Disappointment, it didn’t clear my Threshold of Awesome.

I also had some non-trailer problems with the film, and they’re the same sorts of problems I have with the Iron Man films. If, however, you are in the superhero frame of mind, you’ll enjoy things just fine.

Probably.

Don’t watch the trailers!

(Aside: The short which preceded Big Hero 6 was wonderful.)

 

Dracula Untold

DraculaUntoldI didn’t go see Dracula Untold on opening weekend because the reviews were bad. Maybe my low expectations helped, because it didn’t seem anywhere near as awful as its early reviews suggested.

That’s not a huge vote of confidence, I know, so let me say this: I enjoyed it.

No, really!

It’s kind of a superhero origin story, complete with the “bitten by a…” and the “look what I can do!” underscored by “with great power comes great responsibility.” Also, comic-book physics, at least insofar as the portrayal of the inertia of a swarm of bats goes. And, you know, pretty much every vampire ability on display.

Dracula Untold comes in at #20 for me so far this year, which puts it squarely between my thresholds of “awesome” and “disappointment.” In terms of your movie dollar, however, seeing Guardians of the Galaxy again might be more rewarding.

The Boxtrolls

BoxtrollsThe Boxtrolls is quirky, funny, dark, and a little disturbing in all of my favorite ways. I enjoyed it, but I can see lots of places where folks might not think it’s their thing. Then again, there are probably other folks who will love it a lot more than I did. It comes in just a hair below my Threshold of Awesome.

It’s dark for a kids’ movie, but it’s definitely a kids’ movie. You can tell because all the adults are either evil, disinterested, or too stupid to help, leaving our young heroes in charge of fixing things themselves. A trope, yes, but handled in ways that I found very satisfying.

Did I mention that this film is beautiful? Oh, my. I don’t even know where to start. Even the ugly bits were beautiful. This is one that I may want to own on Blu-Ray just so I can freeze scenes and stare deeply into the designs. On that note, though, the poster above does it a great disservice. It hints at some of the energy of the film, but fails completely to catch the spirit or the beauty of it.

The Maze Runner

Obligatory Disclaimer: The Maze Runner is based on a novel written by my friend James Dashner. I have a policy about reviewing books, which basically says I only write a review if the book is one that I can recommend. Movies, though, I’ll review if I’ve seen it and have something to say.

TheMazeRunnerWith that out of the way…

The Maze Runner (movie) is a pretty good character drama with science-fiction thriller elements in it. I enjoyed it, but it didn’t clear my Threshold of Awesome. 

Why not? Well, because it’s not my kind of story. And here’s where my policy kind of trips me up — I think that The Maze Runner (movie) is a very faithful adaptation of Dashner’s best-selling novel, but the novel itself isn’t really my thing, mostly for stylistic reasons, and now I have to tell you about a book I don’t actually love.

I think that the conceit of the maze itself, in which a tiny community of young men and boys is trapped at the maze’s center, is super-cool and very engaging. The film brings the maze to life in ways that fans of the book will probably love, and though the events of the book are necessarily compressed, the film gets those right, too.

But I don’t love the style of storytelling in which volumes of new information are dropped on the reader or viewer right at the end. Sure, in real life there’s not much foreshadowing for things that are unexpected, but that doesn’t satisfy me in a book or a movie. I want “surprising yet inevitable,” not “whoa, where did THAT come from?” I like the final twists and reveals to be easily explained in one or two sentences in which everything comes together, rather than long explanations which raise as many questions an they answer.

I also love settings that fully explore the ramifications of their “what ifs,” and The Maze Runner doesn’t really do that. There’s a little bit of a Lord of the Flies feel to the glade in the center of the maze, but the glade is nothing like what I imagine an all-boy subsistence community to be like, especially not with the arrival of a girl.

But hey, I had the same problem with The Hunger Games, and those books and films have entertained a lot of people. Your mileage may vary, and now you have one of the key points of variability.