Cutting straight to the chase here, I love this movie.

Captain Marvel clears my Threshold of Awesome with room to spare. I’ve wanted more genre-movie Brie Larsen since seeing her in Kong: Skull Island, and Captain Marvel is better than any such thing I could have imagined. She was perfect as Carol Danvers, and the story is exactly what we needed as an introduction to her—with the added bonus of origin stories for Coulson and Fury.

In my review of Doctor Strange I expressed how happy I was that the Marvel Cinematic Universe finally had a proper grown-up on stage. I’m excited to see how Carol Danvers interacts with the rest of the heroes in Avengers: Endgame this spring, because Captain Marvel gives us another proper grown-up, and this one didn’t start out as a self centered man-child.

There are two post-credits scenes. Beyond that I won’t say anything, except of course there are two post-credits scenes. This is an MCU film.

I’m having difficulty summing up my feelings about Alita: Battle Angel. In part this is because the family trip to the movies ended up in an argument about whether or not it was a good movie, and the argument was not one of those pleasant “discuss the film things,” so on that level the film was an utter disaster. I had nothing but regret for the time and money spent on it.

But that’s hardly a fair measure. My 16yo son’s opinion of the film is probably a better metric:

SON: “We need to own this.”
ME: “I thought you didn’t like it.”
SON: “I didn’t like the story.”
ME: “So…”
SON: “I still want to watch it again.”

I think the largest part of my difficulty in summing things up is that Alita: Battle Angel had difficulty summing itself up. At various levels it’s a morality play, a sports story, a coming-of-age story, a romance, a noir thriller, a cautionary tale, and a visual spectacle. But unlike many films which try to be too many things, Alita: Battle Angel put in the energy to be each of those things pretty well.

What it didn’t do was finish the job.

To me, it felt like the first two episodes of a ten-episode SyFy series in which they spent their entire ten-episode budget on the first 20% of the production.

It’s gorgeous, and everyone performs perfectly, but it left me unsatisfied, and not in the “leave them wanting more” sense. This was more like “I want a sequel to exist, but I don’t want to have to go see it.”

For my own part, I found Alita: Battle Angel pretty disappointing. And yet I’m with my son on this… I want to get the Blu-Ray so I can see it again.

I saw three movies in twenty-four hours. It’s possible I’m on vacation. Of course, I just spent an hour reviewing all three of them, so it’s also possible I’m actually working. My job is weird.

In the interest of not pushing anybody below the fold, here are links to all three.

Filmmakers, especially those working on the Marvel Cinematic Universe, have done a fine job of showing us what super-hero movies can be.

Spider-Man: Into the Spider-Verse, shows us what a comic-book movie can be. Also, it demonstrates the difference. A super-hero movie might be based on stories told in comics, but a comic-book movie tells its story the way a comic-book tells it, using tools that movies don’t often use.

Marvelously, no, miraculously, it did that without being silly, or looking down its nose at the art form in the way the 1960’s Batman TV series seems to.

I could say more, and do so at great length, but to my mind this film expands the very syntax of cinematography, making it difficult for me to describe the experience to anyone who hasn’t experienced something like it.

As I can’t think of anything else like it for you to experience, I guess you’ll just have to go see it.

Spider-Man: Into the Spider-Verse clears my Threshold of Awesome, and additionally clears my “let’s spend enough money so all four kids can see it in the theater” threshold.