Category Archives: Reviews

Reviews of books, movies, music, and maybe even games.

The Transporter: Refueled

Let’s get this out of the way.  The Transporter: Refueled, is 2002’s The Transporter, rebooted. It’s not really a refueling of the franchise, and I can’t help but think “booting” as that thing with the wheel lock that allows parking enforcement to impound a car in place while they wait for a tow-truck.

TheTransporterRefueled

There came a point in the movie when I had the feeling that it had been going on too long, because I was getting kind of bored. I checked my watch. That was the 68-minute mark. This is a good litmus test for a movie that is failing to entertain me.

We have a kitchen-sink arsenal of “stylish action movie” tropes here: mysterious femmes fatales, murderous Eastern European mobsters, career prostitutes who look like supermodels, a grizzled ex-spy, the French Riviera, impossible vehicle physics, and an amoral hero who is very good at everything he does.

In this stylish action movie the filmmakers fuse an underdog heist with the high-concept of  2002’s The Transporter. Our overpaid, overdressed, over-trained automobile courier gets drawn into a scheme that runs contrary to his contractual code, and of which he is merely a player, not a planner.

How well does it work? There were some really cool moments in the film, like the hydrant scene from the trailers which is what got me to plunk down money for tickets. Ultimately it was too linear and predictable for a heist, and there were not enough car scenes for the Transporter franchise. The villains were cardboard cutouts, our female leads were presented in a way that made them unfortunately interchangeable, and the extremely skilled actor who was told to fill Jason Statham’s shoes seemed to be doing everything right with the part, while not actually seeming right FOR the part.

A three-word summation of the film’s failures is “style over substance.” The Transporter: Rebooted falls below my Threshold of Disappointment, entering my 2015 list ranked at #23, a position that suggests it was not as much fun as Minions, but was more enjoyable than the numerical F-twins, Fantastic Four and Furious Seven.

(Note: Several of this year’s films have played directly into the super-spy genre: Spy, The Man from Uncle, Kingsman: the Secret Service, Mission Impossible—Rogue Nation, American Ultra, Hitman: Agent 47, and now The Transporter: Refueled. They’re not interchangeable, but if I wanted to ruin the genre for someone, I’d make them watch all of those during a movie-marathon weekend.)

American Ultra

I saw American Ultra just one day after seeing Hitman: Agent 47and the similarities between the two are misleading:

  • AmericanUltraSuper-agents with amazing abilities
  • Physics-defying stunts
  • Protagonist who is unaware of their latent super-agent abilities
  • Mentor who helps them unlock those abilities
  • Everybody wants to kill the protagonists because of who they are, rather than anything they’ve done

I say “misleading” because that list might make you think they’re the same movie. They’re not. American Ultra is far better. It didn’t clear my Threshold of Awesome, but that’s a different scale than the one I’m using when I say “better.” American Ultra says things—interesting and important things—about the human condition. It revels in gun play like any spy movie does, but it does so in ways that let us count the cost. Also,  it’s funny. Not all the time, but at the right times.

The result is that this is not the sort of over-the-top spy movie that fans of spy movies sit down for, and that’s where my other scale comes into play. This movie was better, and more fun, than Hitman: Agent 47, but came nowhere near being as much fun as Kingsmen: The Secret Service or Spy on my fun-o-meter.

Eisenberg and Stewart were perfect in their roles, and while I’ve seen Eisenberg shine before, this marks the first time I’ve felt that way about Kristen Stewart.

American Ultra enters my 2015 list at #16,  a spot from which it really was quite close to climbing the final steps across the Threshold of Awesome. Close, but not quite.

My Best Meal Ever

The title of this post is a stake in the ground, and I recognize that it calls out something that is by definition a moving target. If, at some future date, I enjoy a meal that displaces my Thursday, August 21st dinner at Wild Sage Bistro in Spokane Washington, I’ll write about that meal under the same title.

I ate with Lawrence Schoen, Valerie Green Schoen, Laura Ann Gilman, Barbara Ferrer, and Gail Carriger, so I was in the company of intelligent, articulate people, but more importantly I was in the company of people who know how to appreciate good food. We shared bits of our respective plates with one another, and this enhanced the experience significantly.

I can’t describe flavors the way Valerie, a trained chef, can. I end up using words like “amazing” and “powerful” and “oh my mouth is in love,” which might tell you how I’m feeling about the food, but won’t say anything about the food itself. I’ll try to be a bit more articulate.

I ordered the tenderloin fondue as a starter for sharing, the seared scallops (a chef’s special not found on the Wild Sage Bistro’s menu) as an entree, a side of asparagus for sharing, and an orange clementine pound cake for dessert. At the end of the meal Valerie told me I have a gift for ordering well, but I’m quite confident that I’m merely lucky, and that there were no wrong choices on the menu. Also, Val may have been high on pound cake.

You laugh? I had an endorphin rush from the first bite of tenderloin and pear, and the neurochemical joy kept flowing until we’d finished our dessert. It only abated when I sipped the very ordinary and poorly chosen Kaliber non-alcoholic beer, a beverage I usually enjoy, but which was every last kind of wrong for the meal. I would have been better served by ice water.

The gorgonzola fondue sauce had just the tiniest hint of the earthy, oh-dear-this-has-gone-bad flavor that I adore in bleu cheeses, just enough to remind me of what it was. Everything else going on in that little pot was fey magic of the sort you read about in Tolkien. We ran out of things to dip in that pot before we ran out of its contents, so I began looking for other vehicles by which to transfer the fondue into my maw. I finally settled on my finger. The pot was returned to our server very nearly clean enough to serve other patrons with.

The seared scallops were, as the name suggests, raw in the center. I eat raw scallops at my favorite sushi place all the time, so this was a selling point, and was why I’d ordered them. It was the least of that dish’s exemplary attributes. The sauce, the accompaniments, the thing that might have been garnish but I ate it anyway—I consumed them all, pausing only to share, reluctantly, with our party. Fortunately for me, Gail ordered the scallops as well, so we were able to grant others a taste without too deeply depleting our own plates.

I got one bite of Lawrence’s pork shank. I very nearly declared him the winner at ordering, but that would have been premature.

Valerie and I argued a bit about the pound cake before I ordered it. I thought it seemed like a light dessert, probably subtle, and good for sharing. She thought I must never have been exposed to a proper pound cake, because they’re not light at all. We were pretty full, so I ordered just one to share between me, Gail, and Valerie, and I promised that if they’d help a little, I’d take care of the rest, and I’d lie to myself about how I only had 1/3rd of the dessert.

I did not get 1/3rd of the dessert. I got about a quarter of it. I have never had a pound cake like that before, and neither had anyone else at our table. I don’t have words for it, but that was the point at which Valerie told me I had a gift for ordering well. Also, I decided that I had “won” at dinner, pork shanks notwithstanding.

My Best Meal Ever was a title held previously by a dinner with Sal, Caryn, and Sandra at La Vecchia in Reno. I did not expect that meal to be displaced, because it, too, was accompanied by flavor-induced endorphins. They were spottier, however, and wore off by dessert, which was merely extraordinary.

Once, a long, long time ago, the title was held by a meal of crab legs and key lime pie at a Joe’s Crab Shack franchise. I remember that meal fondly, but I don’t expect to ever return to Joe’s in an effort to repeat that experience. The bar has been raised quite a bit.

Life is too short to always eat the same things. I’ve had some amazing steaks, but I no longer order the steak if there are weird options on the menu. I’m glad I have friends who will invite me out to places where so many of the options are weird.

 

Hitman: Agent 47

HitManAgent47Hitman: Agent 47 does nothing to set itself apart from other action movies, and is kind of predictable from start to finish. Still, it didn’t actually disappoint me, so it enters my list at #17, safely above the Threshold of Disappointment.

Rupert Friend’s performance as the titular 47 is pretty good, but he wasn’t given much to work with. Zachary Quinto was great, but under-utilized. Hannah Ware was awesome, and kept the movie fun and interesting. I enjoyed the way the story was told through her eyes, and I suspect that this same story with a less skillful actor in her place would have been unwatchably dull.

There are far too many things wrong with this film for me to catalog them. I had fun in spite of them. Your mileage will almost certainly vary.

UPDATED TO ADD: Armed with a pair of coupons, I saw this movie Monday morning, soda in one hand, and popcorn in the other, for $2.50. At that price it would have been difficult to disappoint me. Had I burnt $20 and a Friday night on it, this review might have had a completely different tone.