Tag Archives: Comics Biz

Sunset Is a Pretty Word, But…

SunsetSansAppWhen I worked in the software industry a decade ago there was this lovely term we used when a particular product or code-base was being terminated. We called it “sunset,” and that lovely, red-orange noun with its purple shading would get verbed, and we’d say we were “sunsetting” something, because that’s so much nicer than “terminating.”

On to the point, then. The Schlock App for iOS and Android is being sunsetted, put out to pasture, end-of-lifed—pick your favorite word, there’s no truly nice way to describe this. Let’s talk about what it means, and why it’s happening.

The TL;DR

rssHere’s the short version of the rest of this post: we can’t afford to continue supporting the app. If you’re using the app, we recommend that you switch to an RSS app, and use that to consume the Schlock Mercenary RSS feed.

Why Sunset?

Ultimately it comes down to time and money.

In the early days the Schlock App was a labor of love, and Gary Henson’s passion for a clean interface gave thousands of Schlock fans an unparalleled reading experience. We were never able to successfully port that experience to Android, and as mobile devices matured, we became increasingly unable to comprehensively test the app on the wide range of devices where it might be run. Bugs proliferated.

And then, two weeks ago, I crashed the app by putting a frame in a blog post. Gary discovered that in order to identify the problem he would first need to update the entire app for iOS 9, which is only a very small step away from rewriting it, since it was originally coded for iOS 3. As last straws go, this was a hay bale, or perhaps a cord of firewood.

Gross revenue from the Schlock App has been about $2,000 per year, which is less than 10% of the total ad revenue generated by the comic. The time spent managing the Schlock App is twice, or three times the amount of time spent managing ads on the main site.

By that math alone, the Schlock App is a time sink that does not pay for itself. Consider, however, that the gross revenue is split between us and Gary. $1,000 per year comes out to far less than minimum wage for Gary.

I asked Gary what it would cost to re-code the app, assuming a fair hourly rate for his engineering services. Without divulging his rate, let’s just say that the app is nowhere near justifying that level of investment, and that’s not even taking into account the drudgery involved in rewriting 5-year-old code.

I can divulge that after shopping around other app studios we learned that an app coded natively for iOS and Android, portable across and tested against the most recent 3 years of devices and OS releases, and designed to read via a hybrid onboard/online cache of comics would cost between $80,000 and $250,000.

But, The App Is AMAZING!

It sure is.

Unfortunately we could not get people to support “amazing.” Less than 1% of Schlock Mercenary readers use the app, and less than half of the app users bought subscriptions. Ultimately we have to come to grips with the fact that in demographic terms, the app isn’t actually something the fanbase wants.

That’s kind of harsh, I know, and it will sound the harshest to that tiny¹ group of devotees who appreciate the Schlock app for what it is: the best way to consume a comic strip on your phone. No other app comes close.

Beyond the Schlock App

If you’ve been using the app, you may have noticed that we’ve turned off the subscriptions. We obviously won’t be taking money for something we’re not going to continue supporting.

We haven’t decided when we’ll be turning the Schlock App server off, but we’re 100% confident that the app server will not be running in 2017. It’s likely we’ll pull the plug this summer. Once the server is off, the app will no longer be able to pull down new comics, and it will instantly go from “unsupported” to “unusable.

There is a Schlock Mercenary RSS feed that you can consume on your mobile, and both iOS and Android users have a wide range of RSS reader apps available to them. Here’s a short list²:

iOS

  • Free RSS Reader
  • Feedly
  • Newsify
  • Byline
  • Feeddler

Android

  • Feedly
  • Flipboard
  • Newstand
  • Press
  • Digg

The new Schlock Mercenary website is much better than the old site for mobile users. It’s not as lovely as the app, but frankly, nothing is.

At the end of all this, the one bright piece is that Schlock Mercenary itself is here to stay. Apps, browsers, and operating systems come and go, but with each sunrise³ there will be another Schlock Mercenary strip.

AppSunset


 

¹Tiny is relative. At its most popular, the app had 500 paying subscribers. Today there are half that many. A group of 279 is an impressively large number at a wedding banquet, but is tiny when compared to 100,000 monthly readers.

² I have not provided links to these because I would prefer to not to be the one who vets the software you’re putting on your handbrain. If you use a mobile device, you probably already have a standard by which you decide what to install.

³ If the sun stops coming up,⁴  our plans will change. 

⁴ Contrary to popular opinion, I cannot stop the sun from coming up by ceasing to update Schlock Mercenary. If I had that kind of power, rest assured, we’d still have a Schlock app, and I’d have a great many things besides.

 

A Week of Feeling Famous

On Monday my friend Rodney posted “Hiding from the Mariachi” to the web. I linked to it, but neglected to mention that it was the first of a five-part series of blog posts that were kind of sort of all about me (except for the one which was all about Sandra, and which says a thing which indisputably the most important thing said during the entire series.)

Here are the links to the full set:

Take care with the Photo Essay: It has spoilers. The new maxims aren’t spoilers, so you can dive right into that post, no worries. It probably can’t compete with The Force Awakens for folks’ attention, but at least you can tell your friends about the maxims without making anybody angry.

I like this series of interviews and essays because yeah, they’re about me, and my ego doesn’t really get tired of that, but also because Rodney’s essays are always insightful, and having that insight aimed my direction is cool. I encourage you to read the stuff he’s written that is NOT about me, because frankly, that’s where he really shines.RodneyMBliss.com has all of it.

The Peanuts Movie

PeanutsMovieThe Peanuts Movie is weird, and I’m conflicted about it. I’ll lead with this: it enters my list at #16, just a hair shy of the Threshold of Awesome.

I doubt very many of you will feel the same way I do.

I was ready to walk out of the film 20 minutes in. We were getting perfectly executed Peanuts jokes in 3D, and I found that so incredibly boring it was almost physically painful. But I stuck around, and at the 40-ish minute mark something different happened, and I was interested again.

By the end of the film I was quite happy with it. I’ve never had that happen before. I’ve never gone from “I may walk out” to “I am SO GLAD I STAYED.”

Let’s get technical for a bit.

I love Charles Schultz’s work ethic, and his economy of line. I can stare at his line work for hours studying the way a nonsense squiggle becomes, in context, the delivery mechanism for a content-rich payload.  I was very concerned that this film would lose that.

I was happy to be wrong. The animators used the computer graphics to provide the context (heads, shoulders, doghouses, kites) and then used what I swear are digitized versions of actual Schultz-squiggles as mouths, eyebrows, and worry-lines. It was a brilliant melding of line-art and computer animation. I was mesmerized.

Most people won’t be. Lines aren’t really all that interesting unless they’re at the beating heart of your career.

Charlie Brown’s try-fail cycle is always kind of depressing. His best efforts are either wrong for the problem, or will be rendered irrelevant by something outside his control. The best kite-flyer in the world cannot compete with a kite-eating tree. Hours of practice kicking footballs mean nothing if the person holding the ball plans to betray you.

A story in which the protagonist continues to try in spite of this has power, and is worth telling. But Charlie Brown is always the punchline. Even his successes are ironic, and outside his control. I can only take so much of this. It’s depressing.

Well, The Peanuts Movie gives us an Act II Twist in which Charlie Brown gets the success he always wanted. This was surprising, and fresh, and even though I knew it couldn’t last, I was interested to see how a triumphant ending could be delivered.

Most folks don’t watch movies this way, deconstructing them on the fly. Again, this was something I really enjoyed doing, but that experience might not be there for you. Especially not now that I’ve told you it’s there. Umm… spoiler alert? Sorry.

The Peanuts Movie is a film for children under the age of ten, and it seeks to keep adults happy with nostalgia. Based on the reactions of the young children in the audience, it worked just fine. I heard a tiny voice exclaim “OH NO CHARLIE BROWN” in dismay, and you know what? That was kind of awesome.