I’ll be at LTUE this Thursday, Friday, and Saturday in the Provo Marriott. I’m doing quite a bit of programming, and I’ll also have a table there. It’s not a huge event, though (between 1500 and 2,000 attendees), so I should be pretty easy to find. That said, here’s my schedule:
Thursday
- 10am: Writing and Mental Health: Howard Tayler, David Powers King
- 12pm: Comic Books: Writing vs Art: Maxwell Drake, Brittany Heiner, Howard Tayler, James A. Owen, Jess Smart Smiley
- 3pm: Living with mental illness: James A. Owen, Bryan Beus, Bobbie Berendson W., Jennifer Wardell, Howard Tayler
- 5pm: The Artistic Road to Fame: Bill Galvan, Bryan Beus, Jessica Douglas, Aneeka Richins, Howard Tayler
Friday
- 9am: Good Omens by Gaiman and Pratchett– Making Fun of the Apocalypse: Howard Tayler, Jenniffer Wardell, Candace Thomas, Mikki Kells, Daniel Coleman
- 11am: Rules for Writing Magic: Michaelbrent Collings, L.E. Modesitt Jr., Eric James Stone, Howard Tayler Eric Swedin
- 12pm: Martian ‘r’ Us: Howard Tayler, Aaron Johnston, Derrick Dalton, Renee Collins, David Baxter
- 5pm: The Culture of Immortality: Howard Tayler, Tracy Hickman, Virginia Baker, Paul Genesse
Saturday
- 9am: Practice Trumps Talent: Howard Tayler
- 12pm: Schlock Mercenary: RPG Creation: Howard Tayler, Alan Bahr, Steven Diamond, Alicia McIntire
- 3pm: Putting Technology Ramifications into your World Building: L.E. Modesitt Jr., Howard Tayler, Dan Wells, Roger White, W. Daniel Willis
- 5pm: Character Redesign: Keliana Tayler, Jess Smart Smiley, Bill Galvan, Howard Tayler
It’s got some Wachowski-sized holes in its world-building, and it feels too long to sit through, but Jupiter Ascending has some of the very best sci-fi action scenes I’ve ever had the pleasure to watch. The running, the flying, the shooting, the fighting… all of it hung together in ways that made sense, and the directors luxuriated in slow motion for some of the best bits. If you want to go to the movies to watch people do cool things with toys we don’t have, Jupiter Ascending is a good choice.
Seventh Son was reasonably entertaining, the effects were good, and Jeff Bridges was funny, but ultimately it fell kind of flat for me. I grew increasingly annoyed with Bridges “accent,” which sounded exactly like his mouthful of marbles thing from R.I.P.D. The affectation seemed to fit his character, but none of the accents in the film were consistent. To my ear, it sounded like a bunch of people from all over the world were dropped into one medieval fantasy setting, and nobody bothered to bring in a voice coach. It’s a bit of a nit-pick, I know, but if it hadn’t been for Bridges, I wouldn’t have noticed. In short, the seasoned actor broke the movie.